One explanation is based on eye movements and the resulting retinal image thereby created. Suppose the eyes move back and forth in synchrony with the moving figure. The result would be that an image of the slit would be spread over the retina. Because the figure behind the slit is moving, different portions of it would be successively visible through the slit. Therefore, an extended image of the figure would be spread over the retina. So the explanation of the anomalous effect is simple. As in normal form perception, an extended image is present on the retina. True, it is not present simultaneously, but, given the known fact of visual persistence after a stimulus is no longer present, if the figure (and eyes) move fast enough, the extended image would be equivalent to a simultaneous extended image. The effect would be rather like that seen when a glowing cigarette is moved rapidly in a dark room. Its entire path is perceived simultaneously. This then is the peripheral theory. There are many difficulties with this view (although there is also some evidence supporting it). Why, for example, should the eyes move back and forth, unless possibly because the figure is perceived and the eyes seek to track some region of it. In that case, however, the eye movement is a consequence, not a cause, of the figure perception. In any event, we have been able to show in our laboratory (as have others) that the anorthoscopic effect occurs without any eye movement. Thus, the effect is indeed anomalous, a succession of differing contours all falling on a narrow column of the retina somehow leading to the veridical perception of a moving figure. A central theory seems to be required here. First, the perceptual system must detect, or otherwise have a preference to perceive, a figure moving at right angles to the slit rather than contour elements moving up and down the slit, as in the barber-pole effect (Chapter 7). The figure must possess certain characteristics before perception of an extended figure will occur. A straight line will not do. Once the perceptual system interprets the event appropriately, as an occluded object moving at right angles to the slit, it can reconstruct the figure from the set of successive directions that constitute it. This is then an example of a central theory.